Can't decide which one to buy? Why not try our best-sellers?
Awagami
This warm white highly resilient printmaking paper features one smooth surface and one textured. Great for multi colour printing including lino, woodblock and silkscreen and etching techniques...
Unbranded
Polished aluminium etching plates, plastic coated for a smooth surface. 1.25mm thick. Great for drypoint, or etching with Ferric Chloride or Copper Sulphate.
Art Spectrum
Art Spectrum Blue Linen Hard Cover Watercolour Landscape Journal A4 300gsm 16 Sheets - Cold Pressed This fine quality watercolour journal from Australian Brand Art Spectrum features heavy weight,...
Art Spectrum
Art Spectrum Blue Linen Hard Cover Watercolour Landscape Journal A5 300gsm 16 Sheets - Cold Pressed This fine quality watercolour journal from Australian Brand Art Spectrum features heavy weight,...
Awagami
Awagami's famed Kitakata Natural is fairly thin yet tough making it a favorite for printmaking, drawing and book-arts. The paper's gampi fibres exhibit natural characteristics that prevent media...
Canson
Canson Edition Printmaking Papers are ideal for drawing and printmaking projects. Their 100% cotton composition meets the ISO 9706 standard for permanence, and their two-sided texture provides a...
Monteverde
One Touch Stylus Tool Pen The mechanical pencil version of the Tool Pen features 0.9mm lead and aneraser conveniently stored inside the barrel, but with no level. Barrel Pencil edition...
Monteverde
Monteverde's One Touch Tool Pen is a spirit level, a ruler, a screwdriver, a capacitive stylus and a Fountain Pen. OK, perhaps it isn't quite the most feature packed pen you will ever see, but it...
Monza
Quality fountain pen featuring clear plastic body in a variety of colours. Fine, omniflex and medium steel nibs with 3 removable front sections. Takes cartridges or ink converter. Set includes...
Unbranded
Handmade hemp calligraphy paper, natural white, half-ripe (ie lightly sized) deckle edged paper. 30gsm
Drypoint printing has a soft but bold quality coming from the way the burr holds ink and leaves a raised, velvety line on printmaking paper. It is one of the more delicate intaglio techniques, and pa ...
What Silk Screen Printing Adds to Mixed Media(Post)Mixed media lets us bring a bit of everything into the studio, paint, collage, drawing, print. When layers start stacking, each one adds new rhythm, shape, or weight to the piece. While some parts fe ...
Steps to Set Up Your First Relief Printing Workspace(Post)Starting relief printing at home feels exciting, but if your space isn’t right, it quickly gets messy. A bit of planning in the beginning makes a big difference. A steady setup can help you foc ...
How to Choose the Right Mesh Count for Screen Printing Art(Post)Choosing the right mesh count is one of those details in silk screen printing art that can make a big difference. For new artists or seasoned printmakers, it often comes as a surprise how strongly me ...
Relief Printing Paper Prep: How Dampening Affects Ink Transfer and Detail(Post)Unlock Sharper Relief Prints with Better Paper Prep Relief printing can feel very unforgiving. You carve carefully, roll out smooth ink, print with care, then lift the paper and see patchy blacks, fu ...
Choosing Relief Printmaking Paper: Weight, Sizing, and Damping Tests(Post)Get Sharper Relief Prints by Dialling in Your Paper Choice Paper choice has a bigger impact on relief printing than many people expect. The same carved block can look flat and patchy on one sheet, th ...
Inside Printmaking Inks: Matching Viscosity to Your Press and Paper(Post)Get Cleaner Prints by Understanding Ink Viscosity Printmaking ink can feel tricky. Your plate looks great, you ink carefully, run it through the press, then the print comes out patchy, over-inked, or ...
Why Handmade Printmaking Papers Absorb Ink Differently(Post)When you pull your first good print, it often catches you off guard how much the paper really matters. Even with a well-prepped plate and well-balanced ink, the result can shift depending on the shee ...
How Printmaking Equipment Affects Line Sharpness(Post)Sharp lines make all the difference in printmaking. Whether it’s drypoint, etching or a linocut that relies on fine detail, the clarity of each pulled line can decide whether a print feels cris ...
What to Know About Buying Printmaking Supplies in Bendigo(Post)In and around Bendigo, printmaking has found its place in sheds, classrooms, and shared studio spaces. When stocking up for a cold-season session, many artists look close to home for their materials.
Why Printmaking Ink Reacts Differently on Cotton vs Wood Pulp Papers(Post)Printmaking ink can act quite differently depending on the paper used. This becomes especially clear when comparing cotton-based sheets to ones made from wood pulp. The way the ink behaves, how it si ...
Why Central Victorian Artists Prefer Heavier Papers for Etching(Post)Across studios in Central Victoria, heavier sheets tend to rise to the top when it comes to etching. It's not just preference, it's practical. Working with printmaking paper that can hold structure u ...
Where to Start When Picking Linocut Supplies for Beginners(Post)Linocut printing is a hands-on and satisfying printmaking process that many beginners find welcoming. At first glance, the number of tools and materials might feel like a lot. But with the right lino ...
What Makes Etching Ink Behave Differently on Aluminium Plates(Post)If you've worked with aluminium plates for etching, you've probably noticed that the ink can behave differently to the way it does on copper or zinc. It can feel unpredictable at times, especially wh ...
Do Etching Tools Need Different Pressure in Damp Studios(Post)As we move through mid-autumn into winter in Central Victoria, the temperature drops and the air gets heavier with moisture. Things start to quieten in the studio a bit, especially in printmaking. Da ...
Paper Sizing - what is it all about?(Post)Sizing in papermaking is a crucial process that influences the paper's performance and characteristics. It involves treating the paper fibres with a variety of substances to control the paper's ...
Steps to Prepare Aluminium Plates for Consistent Etching Results(Post)Aluminium etching is a familiar process in printmaking circles, but like most hands-on work, the small steps can make the biggest difference. If a plate isn’t prepped the right way, you are bou ...
Simple Ways to Start an Art Journal Book(Post)Starting an art journal book is one of the simplest ways to stay close to your materials without pressure. It does not need a plan or polished ideas, only a spot to test what a colour does, how your ...
Does Online Art Supply Shipping Affect Paper Quality?(Post)Buying art supplies online is convenient, especially when you are not right next to a specialist shop. But when your order includes delicate materials like printmaking or watercolour paper, it is fai ...
Understanding the Role of Tooth in Art Journal Paper(Post)When picking a new art journal book, most of us think about the cover, size, or how thick the pages are. But there’s something else hiding in plain sight that makes a big difference to how your ...
