Can't decide which one to buy? Why not try our best-sellers?
Awagami
This warm white highly resilient printmaking paper features one smooth surface and one textured. Great for multi colour printing including lino, woodblock and silkscreen and etching techniques. The...
Unbranded
Polished aluminium etching plates, plastic coated for a smooth surface. 1.25mm thick. Great for drypoint, or etching with Ferric Chloride or Copper Sulphate.
Art Spectrum
Art Spectrum Blue Linen Hard Cover Watercolour Landscape Journal A4 300gsm 16 Sheets - Cold Pressed This fine quality watercolour journal from Australian Brand Art Spectrum features heavy weight,...
Art Spectrum
Art Spectrum Blue Linen Hard Cover Watercolour Landscape Journal A5 300gsm 16 Sheets - Cold Pressed This fine quality watercolour journal from Australian Brand Art Spectrum features heavy weight,...
Awagami
Awagami's famed Kitakata Natural is fairly thin yet tough making it a favorite for printmaking, drawing and book-arts. The paper's gampi fibres exhibit natural characteristics that prevent media...
Canson
Canson Edition Printmaking Papers are ideal for drawing and printmaking projects. Their 100% cotton composition meets the ISO 9706 standard for permanence, and their two-sided texture provides a...
Monteverde
One Touch Stylus Tool Pen The mechanical pencil version of the Tool Pen features 0.9mm lead and aneraser conveniently stored inside the barrel, but with no level. Barrel Pencil edition Features: ...
Monteverde
Monteverde's One Touch Tool Pen is a spirit level, a ruler, a screwdriver, a capacitive stylus and a Fountain Pen. OK, perhaps it isn't quite the most feature packed pen you will ever see, but it...
Monza
Quality fountain pen featuring clear plastic body in a variety of colours. Fine, omniflex and medium steel nibs with 3 removable front sections. Takes cartridges or ink converter. Set includes 3...
Unbranded
Handmade hemp calligraphy paper, natural white, half-ripe (ie lightly sized) deckle edged paper. 30gsm
Buying art supplies online is convenient, especially when you are not right next to a specialist shop. But when your order includes delicate materials like printmaking or watercolour paper, it is fair
Why Printmaking Ink Reacts Differently on Cotton vs Wood Pulp Papers(Post)Printmaking ink can act quite differently depending on the paper used. This becomes especially clear when comparing cotton-based sheets to ones made from wood pulp. The way the ink behaves, how it sit
What Kids Art Supplies Are Suitable for Classroom Projects(Post)Classroom projects are one of the best ways for kids to get hands-on with creativity. But things move a lot smoother when the setup is right. That starts with using kids' art supplies that actually ho
Why Central Victorian Artists Prefer Heavier Papers for Etching(Post)Across studios in Central Victoria, heavier sheets tend to rise to the top when it comes to etching. It's not just preference, it's practical. Working with printmaking paper that can hold structure un
Tips for Avoiding Dust Transfer When Packing Painting Supplies(Post)Dust is one of those things you don't notice until it causes a problem. It sneaks into forgotten corners, clinging to palette lids, brush handles, and fibres. When packing up, this mess travels with y
Where to Start When Picking Linocut Supplies for Beginners(Post)Linocut printing is a hands-on and satisfying printmaking process that many beginners find welcoming. At first glance, the number of tools and materials might feel like a lot. But with the right linoc
Acrylic vs Gouache What’s Best for Layered Opacity(Post)Choosing paint for layering isn’t just about colour. The way each stroke builds, covers, or shifts the colour can change the feel of your work. Acrylic and gouache are both fast-drying and water-based
Choosing Printmaking Paper for Drypoint Printing(Post)Drypoint printing has a soft but bold quality coming from the way the burr holds ink and leaves a raised, velvety line on printmaking paper. It is one of the more delicate intaglio techniques, and pap
Choosing Relief Printmaking Paper: Weight, Sizing, and Damping Tests(Post)Get Sharper Relief Prints by Dialling in Your Paper Choice Paper choice has a bigger impact on relief printing than many people expect. The same carved block can look flat and patchy on one sheet, the
Steps to Prepare Aluminium Plates for Consistent Etching Results(Post)Aluminium etching is a familiar process in printmaking circles, but like most hands-on work, the small steps can make the biggest difference. If a plate isn’t prepped the right way, you are bound to r
Why Artists Choose Silicone Over Plaster in Cold Weather(Post)When the weather starts to cool, we notice more artists swapping out plaster for silicone in their moulding work. It’s not just about preference. The cold air actually changes how some mouldmaking sup
Exploring Fine Art Supplies to Elevate Summer Projects(Post)Summer provides a wonderful opportunity for us to engage in creative pursuits, and fine art supplies play a key role in bringing our artistic visions to life. Knowing which materials to use can truly
What Mixing Surface Works Best for Transparent Acrylics(Post)Transparent acrylics behave a bit differently than their opaque counterparts. We find they respond more sharply to the surface underneath, both during mixing and when they are applied to paper or canv
How to Select the Best Tools for Deep Line Etching(Post)Deep line etching isn’t about subtle shading or soft, sketchy lines. It’s about cuts that hold ink strongly and lastingly. Unlike shallow marks made with a light touch, deep line etching needs solid p
Why Bendigo Artists Seek Studio Grade Inks(Post)As spring rolls into Central Victoria, many artists in Bendigo find themselves refreshing their routines and reaching for familiar tools with renewed purpose. For those working with ink, having the ri
Do Etching Tools Need Different Pressure in Damp Studios(Post)As we move through mid-autumn into winter in Central Victoria, the temperature drops and the air gets heavier with moisture. Things start to quieten in the studio a bit, especially in printmaking. Dam
Why Some Kids Craft Supplies Fall Apart in Hot Weather(Post)Most kids can’t wait to dive into a good craft session over the summer holidays. But parents and carers often find themselves dealing with a mess that goes beyond the usual sticky fingers and glitter
Top Layering Mistakes with Mouldmaking Compounds(Post)Working with mouldmaking supplies can be a rewarding part of the studio process, but layering can be where things go unstuck. It only takes one timing misstep or a soft patch in the middle of your pou
Understanding Brush Shapes for Blended Acrylic Effects(Post)Blending acrylic paint can be a bit of a puzzle until you get the right brush in your hand. Even with solid techniques, blending often feels awkward when the brush doesn't match the job. Whether you'r
Understanding Ink Flow in Cold Conditions(Post)When winter hits, it’s not just our hands that feel the chill. In colder studios or early morning sheds, we start to notice our art materials behaving differently. This is especially true for fluid me
