Blog

Across studios in Central Victoria, heavier sheets tend to rise to the top when it comes to etching. It's not just preference, it's practical. Working with printmaking paper that can hold structure under pressure, retain fine lines, and stay flat during drying is something we rely on every day. Not all printmaking paper behaves the same. Between weight, texture, and thickness, the differences can change how etchings turn out. Heavier papers offer...

As we move through mid-autumn into winter in Central Victoria, the temperature drops and the air gets heavier with moisture. Things start to quieten in the studio a bit, especially in printmaking. Damp air changes the way our tools behave, particularly when using etching tools. Lines that were once crisp can begin to soften for no clear reason, and wiping plates becomes just a bit more work than usual. These shifts are small, but they matter. Dam...

Starting relief printing at home feels exciting, but if your space isn’t right, it quickly gets messy. A bit of planning in the beginning makes a big difference. A steady setup can help you focus, avoid waste, and get more consistent prints from the start. Relief printing means cutting into a surface like lino, rolling it with ink, and pressing it onto paper. What stays raised gets printed, while the recessed parts stay blank. It’s mo...