Can't decide which one to buy? Why not try our best-sellers?
Awagami
Awagami's famed Kitakata Natural is fairly thin yet tough making it a favorite for printmaking, drawing and book-arts. The paper's gampi fibres exhibit natural characteristics that prevent media...
Awagami
Awagami's famed Kitakata Natural is fairly thin yet tough making it a favorite for printmaking, drawing and book-arts. The paper's gampi fibres exhibit natural characteristics that prevent media...
Canson
Canson Edition Printmaking Papers are ideal for drawing and printmaking projects. Their 100% cotton composition meets the ISO 9706 standard for permanence, and their two-sided texture provides a...
Monteverde
One Touch Stylus Tool Pen The mechanical pencil version of the Tool Pen features 0.9mm lead and aneraser conveniently stored inside the barrel, but with no level. Barrel Pencil edition...
Monteverde
Monteverde's One Touch Tool Pen is a spirit level, a ruler, a screwdriver, a capacitive stylus and a Fountain Pen. OK, perhaps it isn't quite the most feature packed pen you will ever see, but it...
Monza
Quality fountain pen featuring clear plastic body in a variety of colours. Fine, omniflex and medium steel nibs with 3 removable front sections. Takes cartridges or ink converter. Set includes...
Unbranded
Handmade hemp calligraphy paper, natural white, half-ripe (ie lightly sized) deckle edged paper. 30gsm
Unbranded
Calligraphy Rice Paper Half-Ripe (lightly sized for medium absorption). A light fine grain paper in which the laid/ ingres lines from the production felts can be seen. 32gsm
Unbranded
Calligraphy Rice Paper Half-Ripe (lightly sized for medium absorption). A fine grain cream paper in which the laid/ ingres lines from the production felts can be seen. 43gsm
Unbranded
Giant sized chinese calligraphy brush. 11cm long hair, 3.5cm diameter ferrule. Great quality, available in either goat (white) or mixed animal hair (brown/red brown). Gives long stroke...
Stillman & Birn Beta and Zeta Series Softcover Sketchbooks feature 270 gsm (Extra Heavyweight), white paper, in cold press surface and hot press surfaces respectively. Suitable for dry and wet media, watercolor and ink. . Example of recommended usage: working in heavier washes or overlaying washes (glazing) of watercolor or gouache. Softcover bindings are flexible and lightweight and open totally flat. Acid-free, chloride-free, lignin-free.
